Upholstering a well- loved armchair, adding your own cushions to a muted couch, or changing the seat of a kitchen chair is a great way to add your own taste and define a style within your home. Here's a closer look at a recent upholstery fabric commission I have been working on.
Those of us who rent and might not be able to paint or wallpaper walls might feel restricted as to the style statements we can make in our homes. But fear not; fabric and textiles are a wonderful way of expressing your style "handwriting". A chair upholstered in your own fabric, whether you design the pattern yourself or you work with a designer to translate your ideas onto fabric for you, can be taken wherever your home is as
an instant expression of your personality and style in a space.
I've recently been working on designing some upholstery fabric for a client, and I wanted to share how we have used colour, shape and print to come up with a design that will enhance the original chair frame and the space it occupies.
The armchair itself is a midcentury modern occasional chair with a wooden frame, which used to belong to the clients grandmother. The client enjoys considered, graphic patterns and was keen to use expressionistic colours and shapes, and complimentary tones from all over the colour wheel.
The room in which the chair will live has high ceilings and large bay windows so a large scale design will sit very happily in this space. A small, ditzy pattern might get lost and wouldn't make as much impact. The light and situation of a room is always important to remember when decorating, but bear in mind this also applies to the fabrics and textiles you choose. Bold, expressive shapes can really make a dynamic statement in a room, but if you are looking for a more soothing, cosy vibe in a room you might choose small, repetitive patterns or "ditzies". I will write more on how to choose textiles for different interior designs in the coming weeks, so stay tuned for more!
My first steps when working on a new commission is always to start with painting or drawing based on the clients ideas. I tried some different fluid, expressive brush marks and shapes collaged and juxtaposed into compositions that sat well together. We originally thought to use a navy base with some spicier pink/ red/ orange tones to provide a complimentary colour clash to the living room's current scheme of creams, chalky yellows and accents of green and blue. We also tried a cheery, zingy turquoise so the overall feeling would be sunny mediterranean rather than Northern European. More on how to choose colours from opposite ends of the colour wheel and still make them work and enhance your home in the coming weeks!
Taking these ideas to the print table for sampling means that you can really test out and visualise what your final design will look like- so important for understanding how the colours, textures and shapes will work together and how they might sit overall.
And as if to prove to prove the above statement- the samples made us see that actually what the client wanted was cooler tones of duck egg blue, creams and whites with khaki to really ground all the brighter colours and bring an earthy quality.
I think while the really bright colours could have been fun and zingy, the pattern still sits well in this new colour palette, making the large, expressive marks and shapes look more natural and will sit very happily in the clients existing living room, while still being a real statement piece.